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“I realised that I wanted the album to be about sex, but also just to have this, like, freedom of expression,” he says. Though Alexander didn’t necessarily set out to make such a sex-positive album, that’s what took shape when he began “stacking up” songs for ‘Night Call’.
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“I keep comin’ back to the scene / Back to the bed / Been contemplating.” “You come in and out of my dreams / Fuck with my head / Making me crazy,” he sings on the pulsingly seductive single ‘Crave’. “The birth of that sound is so exciting to me and it must have been incredible to have heard it for the first time on the dance floor: all the energy and the freedom and the raw vocals on those records.” Alexander says It’s A Sin “really took me down a path” of listening to groundbreaking artists such as Sylvester, the androgynous disco icon whose seminal single with electro-dance pioneer Patrick Cowley, ‘Do Ya Wanna Funk’, appears on the show’s soundtrack.Īlexander has also said that many of the album’s songs are “patchworks inspired by random memories and hook-ups or men that I’ve met,” and this definitely comes through in his lyrics. “I was really imagining the ’80s and hearing that crossover from disco coming out of these marginalised communities and then it kind of turning into dance music,” he adds today. “, I wanted to express myself in a way that I hadn’t before” Alexander has said he wrote it “from a fantasy-space” as the pandemic kept the country housebound. ‘Night Call’ doesn’t sound retro – it’s a stylish collection of contemporary pop tunes, led by the Top 40 hits ‘Starstruck’ and ‘Sweet Talker’ – but it’s infused with a similar sense of sexual adventure and clubby escapism. While his character Ritchie and his flatmates at their self-styled “Pink Palace” pad explore LGBTQ+ London, we hear everything from Bronski Beat’s era-defining gay anthem ‘Smalltown Boy’ to Hazell Dean’s Hi-NRG hit ‘Whatever I Do (Wherever I Go)’. “We would all blast ’80s playlists in our trailers and of course there was so much brilliant music on the soundtrack.”Īlexander is absolutely right to salute the show’s supremely evocative soundtrack. “Making It’s A Sin was like being completely immersed in the ’80s,” he recalls. This neat piece of near-symmetry feels even more fitting when Alexander says the album was inspired, in part, by the show’s ’80s club bangers. ‘Night Call’ arrives almost exactly a year to the day that It’s A Sin debuted on Channel 4 on 22nd January, 2021. He’s thoughtful, surprisingly candid about his bandmates’ departure – more on this later – and, above all, really good fun. Alexander has shone in interviews ever since Years & Years cemented their breakthrough by winning the BBC’s Sound of 2015 poll and that year’s debut album ‘Communion’, and today is no exception.
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When the London-based star appears on screen in a cosy-looking hoodie, he immediately cuts through any Zoom awkwardness by confiding with a smile that he hasn’t got round to showering yet.
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Still, any upheaval doesn’t appear to have dimmed Alexander’s natural warmth and sparky personality. “Mikey will be part of the Y&Y family and play with us live and Emre will focus on being a writer/producer.” “The three of us are still good friends,” the trio said in a social media statement. Last March, it was announced that the third Years & Years album – later named ‘Night Call’, and now out today – would be “an Olly solo endeavour” because his bandmates Mikey Goldsworthy and Emre Türkmen had essentially stepped down. And then he weathered Years & Years’ transition from a three-member band to a solo project steered entirely by him.
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First, he starred in It’s a Sin, writer Russell T Davies’ vibrant and profoundly moving meditation on the HIV/AIDS epidemic of the ’80s and ’90s, which became the most talked-about TV show of England’s third national lockdown. It must have been an incredibly intense 12 months for Olly Alexander.